*thinks of cute person* *smushes face into pillow* *melts*
it really should not be this hard to kiss the person you like
IT REALLY SHOULD NOT BE THIS HARD
T////T just kiss me already
I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>
I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.
Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.
The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.
A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.
Best used for smooth blending, washes, gradients, and smoky atmospheric effects.
Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.
To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!
Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!
Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.
Hope that helps!
time to catch up on that naruto manga…
from chapter 219 to 674… here i go
i know how you feel
at least you don’t have to start from chapter 10 to 381 like me
we got this, bby
Mega Kanto Starters
nu it will be fun because we will be together. everything has to be fun.. i dont want you to feel this way anymore u___u
I’ll stop hang around the people who make me feel unwanted… I guesssssss. =/
Are you sure
you can come home with me, if you want… we can watch movies and get frustrated over puzzles <3
arctic moonlight and arctic bass unite for one of the saddest nights evr
if a girl asks if she can go home with you, answer yes or no… don’t just leave her hanging
This looks like a still from a gangster movie
"Guess it’s not your year, motherfucker."
if there’s ever a moment when you think you can’t accomplish something, think of me
believe in the me who believes in you
when someone say hi to ya bae for too long
when you follow an awesome new blog and they follow back AND message you saying they like your blog